All the winners of the Golden Raspberry parody award have been announced: which movie was the biggest disappointment and who was happy to receive the anti-Oscar

On the eve of the Oscars, one of the most prestigious awards in the film industry, the US announced all the Golden Raspberry winners. The list of "winners" includes global actors, films and their creators, which turned out to be the biggest disappointment for critics and audiences.

The leader of this year's anti-award was the superhero movie "Madame Web," which won three awards in different categories. Interestingly, while some celebrities are upset about winning the "anti-Oscar," director Francis Coppola was happy to be among the winners. The full list of "winners" appeared on the website of The Hollywood Reporter.

The worst movie

"Madame Web"

Worst actor

Jerry Seinfeld ("Unfrosted")

Worst actress

Dakota Johnson ("Madame Web")

Worst Supporting Actor

Jon Voight ("Megalopolis," "Reagan," "Shadow Land," "Strangers")

Worst Supporting Actress

Amy Schumer ("Unfrosted")

Worst director

Francis Ford Coppola ("Megalopolis")

The worst prequel, remake, or sequel to a movie

"The Joker: Madness for Two"

The worst case scenario

"Madame Web"

Worst on-screen duo

Joaquin Phoenix and Lady Gaga ("The Joker: Madness for Two")

Worst Director winner Francis Ford Coppola got in touch on his Instagram after receiving the Golden Raspberry award. The 85-year-old screenwriter frankly noted that he was not at all disappointed to win the "anti-Oscar" award, and moreover, he considers his victory a special honor.

"I am very pleased to accept the Golden Raspberry Award in multiple categories for Metropolis. It's a special honor to be among the nominees for Worst Director, Worst Screenplay and Worst Film at a time when so few have the courage to go against the prevailing trends in contemporary filmmaking! In this world, where art is judged as if it were a professional wrestling match, I decided not to follow the ridiculous rules set by an industry that is so afraid of risk that, despite a huge pool of young talent, it may not be able to create films that will be relevant and alive in 50 years," the director said.

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